Metacritic Journal


for Comparative Studies and Theory

Non-themed issue, 3.2 (December 2017)
ISSN 2457 – 8827

Table of contents

"The World Has Become Self-Referring": Don DeLillo’s THE NAMES and the Aesthetic of the Contemporary
Christian Moraru
PDF
5-24
“They Are All Too Foreign and Unfamiliar…”: Nabokov’s Journey to the American Reader
Olga Voronina
PDF
25-51
From Elephant God to Man Dog: Hybridity, Mimicry, and the Homo Sacer in Salman Rushdie’s MIDNIGHT’S CHILDREN
Peter Arnds
PDF
52-72
Nature Writing in Romania During the Post-War and Post-communist Period
Emanuel Modoc
PDF
73-92
Remembering Romanian Communist Times: New Insights on the Banality of Evil
Ioana Bot
PDF
93-111
Benjamin's Voices: Irresolution and Textual Practice in ON THE CONCEPT OF HISTORY
Lawrence Wang
PDF
112-131
Norwegian Innvandrerlitteratur and the Spell of Transnationalism
Ovio Olaru
PDF
132-153
The Originality of THE HANDMAID'S TALE and THE CHILDREN OF MEN: Religion, Justice, and Feminism in Dystopian Fiction
Francesco Bacci
PDF
154-172
"Our Arguments Are Often More about the Display Than about the Semantic Drift of Words" - An Interview with HENRY SUSSMAN, Professor of Germanic Languages and Literatures at Yale University
Henry Sussman
PDF
173-183
For Ethnography
Adelina Haș
PDF
184-189
A Global Doll’s House. Ibsen and Distant Visions
Gianina Druță
PDF
190-196
Justice, Memory and Redress in Romania. New insights
Adrian Tătăran
PDF
197-204
Chaos Media. A Sonic Economy of Digital Space
Alexandra Turcu
PDF
205-210