Metacritic Journal

for Comparative Studies and Theory

ISSN 2457 – 8827
Cătălin Constantinescu Cătălin Constantinescu


Our study investigates the possible ways of discussing the functions of the identity in fictional work. As point of departure we have chosen the novel Jacob se hotărăște să iubească (Jacob beschließt zu lieben, C.H. Beck, 2011) by Cătălin Dorian Florescu. Identity is multilayered, having being formed and transformed continuously in relation to the ways we are represented or addressed in the cultural systems, as Stuart Hall (1992, 1997) stressed out. The approach is heavily influenced by postcolonial and...   ⇨ Read more
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Emma Pustan Emma Pustan

Transindividuality: Identity, Indeterminacy and Ontological Availability

The main purpose of the present study is to detect and portray the way in which Gilles Deleuze and Felix Guattari aligned their views with a movement of annihilation of the self-otherness equation. It also tackles with the explanation of the concept of transindividuality, by which the overtaking of the polarised obsession of the ipseity-alterity definition is proposed. This concept encapsulates both a space of indeterminacy of identity and the incorporation of the multiple alterity – the collective. The present...   ⇨ Read more
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Alex Goldiș Alex Goldiș

Strategies of Globalisation in Romanian Literary Histories

This paper explores Romanian literary histories in the light of the theoretical acknowledgements of “World Literature”. Its foremost representatives define the international literary space as a competition for universal acknowledgment among nations. The complex dynamic between culture and socio-economic power is responsible for the hierarchical distinction between (semi)peripheral and core literatures. The case of Romanian literature is significant for the East-European struggle to overcome the socio-political...   ⇨ Read more
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Carmen  Dominte Carmen Dominte


As a literary genre, the travel literature was considered a literary hybrid made of several other sub-genres, or a literary sub-species made of the autobiographic writings (Paul Fussell) or of the ethnographic writings (Patrick Holland). Being defined on several axes, such as fiction/non-fiction literature, internal/external travels, poetical/historical form, time/space perspective, the travel writings differ not only in terms of narrative strategies but also in terms of method or purpose of writing. The travel...   ⇨ Read more
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Emanuel Modoc Emanuel Modoc

The Romanian Post-Avant-Gardes. Between Influence and Equivalence

For the better part of the last three decades, Romanian poetry has undergone a series of mutations that led to the recovery of the interwar avant-garde, both in terms of poetic discursive strategies and in the militant rhetoric of its manifestoes. Although the first avant- garde influences date back to the 60ies, with a major iteration in the 70ies and the 80ies, because of the socio-cultural context of these periods we can only speak of a formal influence of the avant-garde. This paper intends to analyse how...   ⇨ Read more
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Doru Pop Doru Pop

An Analysis of Romanians’ Self-Image in Contemporary Cinematographic Representations

Although contemporary Romanian filmmaking is recognized today as an important part of the global cinema and the young Romanian filmmakers have created a cinematic culture accepted as a model in Europe and internationally, there has been much criticism about the role of the “New Wave” in Romanian culture. The most common critiques describe the productions of this new generation of filmmakers as promoting a negative image, clearly “denigrating” the Romanians, Romanian education or medical systems, suggesting that...   ⇨ Read more
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Daria Condor Daria Condor

Don Quixote and the Golden Age or the Meaning of Life as Fiction

The author’s intention is to analyse the themes of madness and imagination as means of world-making and mediators between them in Cervantes’ novel, The Ingenious Gentleman Don Quixote of La Mancha. The premise of the central argument is that each of Cervantes’ characters relate to the world through their own imagination. The first conclusion generated by this hypothesis is that Don Quixote himself deliberately makes up his world and defines himself as an archetype. This paper proposes a classification of three...   ⇨ Read more
Download text Read full text 539 downloads pp. 215-229